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Let me not pray to be sheltered from dangers, but to be fearless in facing them.
Let me not beg for the stilling of my pain, but for the heart to conquer it.― Rabindranath Tagore, Collected Poems And Plays Of Rabindranath Tagore -
Paul McCartney & Wings- Band on the Run
Stuck inside these four walls, sent inside forever,
Never seeing no one nice again like you,
Mama you, mama you.
If I ever get out of here,
Thought of giving it all away
To a registered charity.
All I need is a pint a day
If I ever get out of here.
Well, the rain exploded with a mighty crash as we fell into the sun,
And the first one said to the second one there ‘I hope you’re having fun’.
Band on the run, band on the run.
And the jailer man and Sailor Sam were searching every one
For the band on the run, band on the run, band on the run, band on the run
Well, the undertaker drew a heavy sigh seeing no one else had come,
And a bell was ringing in the village square for the rabbits on the run.
Band on the run, band on the run.
And the jailer man and Sailor Sam, were searching every one
For the band on the run, band on the run,band on the run, band on the run
Well, the night was falling as the desert world began to settle down.
In the town they’re searching for us everywhere, but we never will be found.
Band on the run, band on the run
And the county judge, who held a grudge
Will search forevermore
For the band on the run, band on the run, band on the run, band on the run
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No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.― T.S. Eliot -
Dust of Snow by Robert Frost
The way a crow
Shook down on me
The dust of snow
From a hemlock tree
Has given my heart
A change of mood
And saved some part
Of a day I had rued.
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Morning by Victor Hugo [translated by H.L. Williams]
The mist of the morning is torn by the peaks
Old towers gleam white in the ray,
And already the glory so joyously seeks
The lark that’s saluting the day.
Then smile away, man, at the heavens so fair,
Though, were you swept hence in the night,
From your dark, lonely tomb the owlets would stare
At the sun rising newly as bright.
But out of earth’s trammels your soul would have flown
Where glitters Eternity’s stream,
And you shall have wake ‘midst pure glories unknown,
As sunshine disperses a dream.
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October by Robert Frost
O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes’ sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes’ sake along the wall.
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Believe, Believe by Bob Kaufman
Believe in this. Young apple seeds,
In blue skies, radiating young breast,
Not in blue-suited insects,
Infesting society’s garments.
Believe in the swinging sounds of jazz,
Tearing the night into intricate shreds,
Putting it back together again,
In cool logical patterns,
Not in the sick controllers,
Who created only the Bomb.
Let the voices of dead poets
Ring louder in your ears
Than the screechings mouthed
In mildewed editorials.
Listen to the music of centuries,
Rising above the mushroom time.
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Music Box by Jorge Luis Borges
Music of Japan. Parsimoniously
from the water clock the drops unfold
in lazy honey or ethereal gold
that over time reiterates a weave
eternal, fragile, enigmatic, bright.
I fear that every one will be the last.
They are a yesterday come from the past.
But from what shrine, from what mountain’s slight
garden, what vigils by an unknown sea,
and from what modest melancholy, from
what lost and rediscovered afternoon
do they arrive at their far future: me?
Who knows? No matter. When I hear it play
I am. I want to be. I bleed away.
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From the translator’s notes:
In “Music Box,” the dripping golden music carries the poet’s imagination to a past Japan of mountain shrines and unknown seas, and in that astral projection the poet finds himself bleeding away into time, like music. How else to capture this vision except in the music box of the sonnet, whose hidden gears turn to make the music chime and keep time?
Of course, we can’t keep time in a box; time has a box prepared for us. Understanding this is what allows us to value what life we have. My father tells a story about Borges. One day the great man was walking down the streets of Buenos Aires when a man rushed up to him and exclaimed, “Borges, you are immortal!” Borges, with his characteristic dry wit, replied, “Don’t be so pessimistic.” —Tony Barnstone
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“The Poet’s Reply” | Futility Closet
What’s unusual about this poem, composed by James Rambo for Word Ways, May 1977?
Use fulsome howl or direst word in galling us; toil over a shoddy ode?
Listen, dressed in gyves, tiger, allies fall, ensnared in timeless eras, mentally in agony, essays in gall.
Outwit Hades, ignore verses, you real lover? Come!Useful somehow, Lord, I rest, wording all in gusto I love.
Rash odd yodel is tendresse; dingy vestige rallies fallen snared.
In time, lesser as men tally, I nag on — yes, say, sing all out — with a design.
O reverses, you’re all overcome!The two stanzas are spelled identically.